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Mostrando entradas con la etiqueta Uva-Grape: Albariño. Mostrar todas las entradas
Mostrando entradas con la etiqueta Uva-Grape: Albariño. Mostrar todas las entradas

lunes, 26 de septiembre de 2016

In Praise of Spanish White Wines. Comment from Wines Inform Assessors


In Praise of Spanish White Wines




White grapes generally prefer a slightly cooler climate, so the bulk of the best Spanish whites are in Green Spain which comprises a strip along the northern and western coast.

Godello, grown in Monterrei and Valdeorras in eastern Galicia, and in Bierzo just over the border in Castilla y Léon

Galicia is best known for peach scented Albariño grown in Rias Baixas – the lower estuaries near Portugal.  This is a wine that you should probably have heard of given that there are more than 30 available for sale in Ireland.  The thick skins of the grape make it perfectly suited to the damp conditions and sea breezes in Galica; add in its fine acidity and you have the perfect food wine – particularly suited to spicy dishes.


Another quality Galician contribution is Godello, which is grown in Monterrei and Valdeorras in eastern Galicia, and in Bierzo just over the border in Castilla y Léon.  Godello almost died out in the 1970s but has had a major revival and some would argue that it is Spain’s most interesting white varietal.  Godello has similar weight to Albariño with a solid floral aroma and fine rich minerality with good ageing potential.


Some other Galician grapes you may encounter include Treixadura, Torrontés, Loureira (used in Portugal for Vinho Verde), and Caiño Branco.


The small region of Rueda in Castilla y Léon produces the other widely available quality Spainsh white wine Verdejo, a grape that is now grown in other regions such as Rioja and Castilla La Mancha.  The best Verdejo is aromatic and rich with medium to high acidity and fine mouth feel, again an excellent food wine for seafood and also for richer dishes such as paella.


Now we need to talk about Airén, which was once the most planted grape in the world (in terms of hectares), mostly in La Mancha to feed the Spanish brandy industry.  Airén is generally unremarkable but if drunk very young it can be a fresh light wine.


The Basque country doesn’t have a large wine industry but it does produce some intriguing Txakoli– an unusual wine with a hint of fizz and a dry salty taste that is perfect for matching with Basque seafood.


In Rioja the white grape is Viura (also called Macabeo), and is best drunk young – although there are some fascinating oak aged versions; I once drank a delicious 50 year old version at a friend’s birthday party.


In Penédes you will find experiments with the Catalan grape Xarel-lo (pronounced Charello), a grape which is light but can be aromatic if kept on its lees.  Xarel-lo is best known for its use in Cava along with Macabeo and Parellada.


In the Levant in Alicante you will find Verdil and throughout Spain you will find experiments with Chardonnay, Sauvignon Blanc and other international varieties.
Finally there are the great Palomino and Pedro Ximénez grapes – innocuous if made into wine but outstanding when made into Sherry.


Comment from Wines Inform Assessors:


It is difficult to summarize a country and its production in such a short time, so I think your information is very valid

Let me add some information:

Fashions and ways of working the grapes make vary the interest of consumers on them:

Albariño (Galicia) is a successful grape and valued forever
Verdejo (Castilla León) has had a time of growing success and is an example of valuing indigenous grapes
Xarel·lo is the big bet -with garnatxa blanca- of the Catalan wineries for quality

Garnatxa blanca -White Grenache- is the new big grape attractsinginterest. Worked otherwise, this grape that gave rise to dense wines now produces excellent wines, fresh and full-bodied
.......


Es dificil resumir un país y su producción en tan poco tiempo, así que pienso que su información es muy válida


Déjeme añadir alguna información


Las modas y las maneras de trabajar las uvas hacen variar el interés de los consumidores por ellas:
Albariño (Galicia) es una uva exitosa y valorada desde siempre
Verdejo (Castilla León) ha tenido un momento de éxito creciente y es un ejemplo de valoración de las uvas autóctonas
Xarel·lo es la gran apuesta de las bodegas catalanas por su calidad

Garnatxa blanca es la nueva gran uva que atrae el interés. Trabajada de otra manera , esta uva que daba lugar a vinos densos ahora produce excelentes vinos, frescos y con cuerpo


Origin information: Ireland's Foodservice Platform

martes, 22 de marzo de 2016

Albariño Grape.... New Zealand Wines Go Beyond Marlborough Sauv Blancs, You Know

New Zealand Wines Go Beyond Marlborough Sauv Blancs, You Know

NEW ZEALAND WINE


In 2015, the value of New Zealand wine exports to Australia was a tidy NZ $362.1 million. Now, it's no secret Aussies love a glass of vino (not to mention have our own thriving wine industry), but it's probably safe to say we love a drop from across the ditch. 

And it's little wonder. When it comes to wine, New Zealand certainly knows what it's doing. Our $362.1 million contribution to New Zealand's wine industry was only one slice of a very lucrative export pie. A pie which, last year, hit a new record of NZ $1.42 billion. 

But despite our obvious love for a good Kiwi vintage, have we adequately explored the best of what New Zealand has to offer? According to Peter Nixon, business manager of fine wine at Dan Murphy's Australia, the answer is no. 

"Most Australians are familiar with New Zealand's most famous two regional wine styles, namely Marlborough 'savvy' (aka a sauvignon blanc) and Central Otago pinot noir," Nixon told The Huffington Post Australia. 

"However with more than eight diverse wine regions nationally, most within a comfortable drive from a capital city, there is much more to the Kiwi wine story than this." 

new zealand wine
Nelson,The Lodge at Paratiho Farms, New Zealand.



But let's start off with the ever-popular NZ sauvingnon blanc. Those who are a fan of the distinctive Marlborough variety (Nixon refers to the old expression "cat pee on a gooseberry bush") can expect more complexity from these wines in the coming years, not only in Marlborough, but New Zealand wide. 

"Marlborough may produce the most overt, pungent expression of sauvignon blanc (apparently due to the extraordinarily high levels of UV exposure in the region) but Nelson and Hawke's Bay produce some lovely examples, albeit in a more restrained fashion," Nixon said. 

"Even in Marlborough we are seeing more complexity of style, as winemakers look to reign in the fruit intensity in favour of more texture and complexity -- achieved via a range of vineyard and viticulture techniques including hand-picking, multi-vineyard site sourcing, barrel-fermentation, oxidative handling, wild yeast, skin contact, to name a few." 

As for pinot noir, Nixon urges fans to be adventurous and look beyond the Central Otago region.
"Central Otago is most famous for the powerful, rich style of pinot noir that it produces, however Wairarapa also produces a powerful style and is the next most significant producer volume (and quality) wise," Nixon noted. 

"The regions Waipara, Nelson and Marlborough also produce worthy and unique expressions of this great grape, and are well worth trying out." 

new zealand wine
These little NZ grapes will one day become delicious, delicious wine.


 Nixon believes the popularity of New Zealand's pinot noir is set to increase even further in the future, along with chardonnay. 

"New Zealand vies with Australia for the most convincing examples of chardonnay and pinot noir outside of Burgundy France," Nixon explained. "And with Burgundy prices heading into the astronomical, and increasingly rare as hen's teeth, we can expect both of these wine styles to lead in the popularity stakes over the next years and decades.

"In short, if you like cool-climate wines including chardonnay, riesling, sauvignon blanc, cabernet, merlot, pinot noir and syrah then NZ is a vinous treasure trove -- and all within reasonable reach."
In terms of the 'next big thing' in Kiwi wines, Nixon says a certain Spanish grape is set to take the limelight. 

"Keep an eye out for the Spanish grape Albariño, which I would describe as crisp, zesty, fresh like Sauvignon Blanc but with more texture and palate weight," Nixon said. "This grape loves a maritime climate, and early examples from both Nelson and Marlborough are very impressive.
"The Gisborne region shows potential also, as it is another coastal wine region.

"In Spain the grape is famous for its affinity with strongly flavoured seafood dishes such as paella, calamari rolls and preserved anchovies."

Y-U-M.
If all of this sounds very well and good, but you need something to pick up for a dinner party tonight , never fear, we have your back.
Nixon has provided The Huffington Post Australia with a breakdown of each of the eight New Zealand wine regions, including a recommended drop from each of them. Enjoy! 

Origin information:  The Huffington Post

miércoles, 13 de enero de 2016

USA: "Umpqua Valley a top wine destination". Earl Jones has been credited for bringing Tempranillo, Albariño and other grape varieties to the Pacific Northwest.

Umpqua Valley a top wine destination

http://www.nrtoday.com/csp/mediapool/sites/dt.common.streams.StreamServer.cls?STREAMOID=qV6ME$vkiXx8MG51Iefvj8$daE2N3K4ZzOUsqbU5sYukB8hkzE6fXvsd7FUZUJYrWCsjLu883Ygn4B49Lvm9bPe2QeMKQdVeZmXF$9l$4uCZ8QDXhaHEp3rvzXRJFdy0KqPHLoMevcTLo3h8xh70Y6N_U_CryOsw6FTOdKL_jpQ-&CONTENTTYPE=image/jpeg
MICHAEL SULLIVAN/The News-Review |
Abacela owners Earl Jones and wife Hilda Jones stand in the tasting room at the Winston vineyard and winery on Saturday.




Local wine grape growers and wine makers are proud of the attention Umpqua Valley wineries have been receiving recently. Wine Enthusiast Magazine named Southern Oregon one of the “10 Best Wine Travel Destinations of 2016” and local wineries won 28 medals in the 2016 San Francisco Chronicle Wine Competition. 

Central Douglas County has over 30 wineries and there are designated wine tour routes.
“This is the first time Southern Oregon has gotten attention in a big nature,” said Earl Jones of Abacela Winery near Winston. “It’s colossal in terms of what we’ve seen in the past.” 

With a total of 7,162 entries, this year’s San Francisco competition featured the largest number of American wines in the country. 

“The fact that our local wineries did so well shows how our wines stack up compared to any other place, and I think that’s very significant,” said Terry Brandborg, the Umpqua Valley Wine Growers Association board president. “We’ve seen a lot of growth in Umpqua.”
“I think the Umpqua Valley is very attractive to new investment in the industry. We have an awful lot to offer.”Terry Brandborg Umpqua Valley Wine Growers Association board president.
He said he hopes the recognition will help wine consumers pay attention to the world class quality of wines from the area.
Brandborg began producing wine in California in 1986 and then moved to Elkton in 2002 to open Brandborg Vineyard and Winery. 

He pointed to three significant wine related events in the Umpqua Valley. First, Reustle Prayer Rock Vineyards near Umpqua was named Small Winery of the Year in 2010 in the Riverside International Wine Competition, then Wine Press Northwest named Abacela near Winston the Oregon Winery of the Year in 2013 and tabbed Brandborg Vineyard and Winery for the honor in 2015.
“Hopefully that’s going to bring more interest to the area, both in wine tourism and from investors who are looking for new places to explore,” Brandborg said of the awards. “I think the Umpqua Valley is very attractive to new investment in the industry. We have an awful lot to offer.” 

According to an Oregon Wine Board survey, the winery-related economic impact on Douglas County last year was $44 million. That included the money spent by wine tourists and the amount wineries generated. VisitRoseburg.com showed more than 16,000 views for the wine page and Brandborg said 4,000 people visited the tasting room at his winery last year. 

“As we recover from the recession and consumer confidence is on the increase, people are willing to spend more money on the higher priced wines,” Brandborg said. “We’re seeing a lot more traffic out and about, so I think it’s looking very bright.” 

Jones, who owns Abacela with his wife Hilda, was excited about Southern Oregon being rated as a top wine destination in the world and mentioning Abacela and Delfino Vineyards of Roseburg.
Jones has been credited for bringing Tempranillo, Albariño and other grape varieties to the Pacific Northwest. Tempranillo was growing in California and was used for jug wine, but Jones wanted to find a way to turn it into the fine wine it is today. 
“I studied the Tempranillo grape in Spain, the mother country, and studied what it needed to produce fine wine.” 

He said he discovered the Umpqua Valley’s climate was just what it needed, as Southern Oregon sits between the 44th and 42nd parallels, the same as northern Spain. 

Jones was a professor at Emory University School of Medicine but left to come to Oregon to plant the first Tempranillo of the Pacific Northwest in 1995. He named the winery Abacela, which derives from the Spanish word meaning “to plant a grape vine.” Since then, Tempranillo has spread all over the U.S.
“I’m proud to be the granddad of all that,” Jones said. 

Abacela’s 1998 Tempranillo became the first American wine to compete in a world competition, winning a double gold, first-place medal in the 2001 San Francisco International Wine Competition. 

Abacela has been recognized several times since then. Most recently, the Oregon Wine Board awarded the Jones’s the Lifetime Achievement Award and Wine Enthusiast Magazine nominated their winery for American Winery of the Year in 2015. 

For the past 15 years, Terri and Jim Delfino have owned Delfino Vineyards, which includes a five-star rated bed and breakfast.
“We feel like it’s a tourist destination in and of itself,” said Terri Delfino, a co-chair of Umpqua Valley Wine Growers Association. “And we’re close to other wineries in the area. You can take off for the day and we freshen it up for you. When you come home, you can just relax and go out again the next day to Crater Lake or the coast, we’re really in a good location for tourists to come and visit.” 

Wine Enthusiast has given Deflino high marks on several of its wines over the past few years.
“To see the recognition that we’re getting now is really exciting for us,” Delfino said. “We want people to come here and we want people to go to all of our wineries. We want people to taste all of our Umpqua Valley wines because they’re really unique.” 

Reporter Emily Hoard can be reached at 541-957-4217 or ehoard@nrtoday.com. Or follow her on Twitter @hoard_emily

Origin information: NR Today

miércoles, 23 de julio de 2014

On Albariño: Spanish immigrant seems to be making itself at home

Spanish immigrant seems to be making itself at home

 By Charmian Smith on Wed, 23 Jul 2014

 Albariño may be a Spanish grape but judging by some of the wines made from it in New Zealand it is quite at home here.

 Few of us are familiar with it at present, but I expect we soon will be, not only because several wineries are planting it, but also because it is so delicious.

 A white grape from Galicia in northwest Spain, it produces dry, perfumed wines with stonefruit, citrus and a hint of mineral that is a match for seafood, chicken, paella and tapas.

 Galicia on the Atlantic coast is rainy but, with loose bunches and thick skins, albariño is resistant to rain-induced rot and is attracting interest, particularly among growers in Gisborne. However, it is also planted in Marlborough and Nelson.

 A recent tasting of five New Zealand and five Spanish albariños for the Wine Federation of Otago impressed members with just how attractive they were, being ideal for a summer evening, long lunch, or just a lazy afternoon.

 A good alternative to sauvignon blanc or pinot gris, they are priced between $20 and $25. They are rare now but quantities will increase as plantings come into production.

 The New Zealand examples were from 2013, younger than the Spanish ones which were 2012 and 2011.

 As you would expect, they had more overt fruit, but most of those from Spain appeared more structured and appeared drier.

 The New Zealand wines were: the peachy, citrusy Stanley Estate Marlborough Albariño 2013; the perfumed, refreshing Spade Oak Heart of Gold Gisborne Albariño 2013; the fruit-driven but dry Matawhero Church House Gisborne Albariño 2013; the intense, floral Hihi Gisborne Albariño 2013; and the lively, fresh and floral Coopers Creek Bell Ringer Gisborne Albariño 2013.


Origin information: Otago Daily Times

jueves, 8 de julio de 2010

Yet another Reason to Love Albariño

Yet another Reason to Love Albariño

By Michael Franz
Jun 9, 2009 I can still remember how strikingly delicious my first taste of Albariño was, and how embarrassed I was in the wake of the experience.

It happened on the last night of my first trip to Spain, in December of 1997, in a restaurant in Madrid. My friends and I were waiting for a companion who was late in showing up, and as time dragged on, an impatient member of our party suggested that we order a bottle of wine. The issue of what to order was dispatched immediately when two people at the table called--simultaneously--for an Albariño. Not knowing what that was, and not wanting to expose myself as a doofus, I just sat there silently as a bottle of 1996 Morgadio from Rias Baixas was presented and then poured.

The wine showed a truly lovely floral aroma, but a subtle one, much more akin to Riesling than, say, Muscat or Gewurztraminer. On the palate, the wine was generously substantial, with medium body and succulent, deep flavors recalling fresh peaches and baked apples. These flavors tailed off slowly and symmetrically, as with all truly excellent wines, and finished with a bright, zesty zing of acidity. The acidity seemed perfectly natural and perfectly integrated with the fruit, and the wine as a whole was complex yet coherent, and quite stunningly delicious.

At first, I said nothing to anyone, on account of feeling like an idiot or an impostor. How could I possibly expect anyone to take me seriously as a wine writer when there was a varietal wine out in the world that was this spectacular that I had never even heard of? I had only been writing about wine for four and a half years at that point, but, by dint of ridiculously good luck, had been writing for most of that as wine columnist for The Washington Post. And when tasting that wine, being ignorant of Albariño seemed as mortifying as, say, Bob Woodward being unaware of one of the three branches of government.

My shame diminished a bit in the wake of that trip when I learned a little more about Albariño. A literature search showed that only a few American writers had ever written anything about the grape or the resulting wine at that point, and very few bottlings were available in the USA. Moreover, D.O. (or appellation) status for Rias Biaxas had only been granted for less than a decade, and the Albariño variety had been nearly extinct not long before that. My initial experience was also partly a function of the fact that my epiphany wine came from 1996, an extraordinary vintage producing wines that have not since been equaled, in my opinion.

Nevertheless, in the years since that first sniff and sip in Madrid, my faith has never flagged regarding Albariño's potential greatness. Since 'greatness' is a word that isn't used by wine writers nearly as sparingly as it should be, I should be clear about what I mean: In my view, Albariño is not only Spain's best white grape, but a variety that can someday stand with Riesling and Chardonnay at the very top of the white wine pecking order.

Attempting to assess Albariño's full potential requires a bit of daring. One needs to crawl out on a limb and extrapolate from a thin track record, since Albariño has been made for a relatively short span with fully modern methods, and mostly in just one place on the globe. But it seems clear to me already that it is a more noble variety than some very famous grapes like Gewurztraminer, Semillon or Viognier. Moreover, I think it is at least the equal of some grapes that I adore unreservedly, such as Chenin Blanc, Muscat and Grüner Veltliner. And I have a suspicion that when it is planted in a variety of soils and climates, grown very conscientiously at low yield levels, and skillfully made with a variety of techniques, Albariño will give Sauvignon Blanc a serious challenge for its place in the trinity atop the white pyramid.

Even those readers most experienced with Albariño might raise an eyebrow at my enthusiasm at this point, but you should bear with me for a moment, because I may have a piece of information about this grape and wine that you are lacking. Namely: Albariño can age. And by that I mean not only that it can hang on for a few years after being bottled, but that it can develop.

This was a second lesson about Albariño imparted to me in Madrid, in this case at a tasting earlier this year. The tasting featured a sizeable number of bottlings that were at least a couple of years old, and the results were overwhelmingly impressive. Here are abbreviated tasting notes for every wine in the tasting (in the order in which the wines were presented):

Adegas Valmiñor 'Davila' 2006: Pure and delicate notes of pear and baked apple, with a rich midpalate and a rounded feel, but still very fresh, with excellent acid integration. 91

Fillaboa 2006: Lovely floral topnote, followed by deep fruit flavors and finishing with mineral notes and an appealing streak of citrus rind bitterness. 90

Maior de Mendoza '3 Crianzas' 2006: Fine floral aromas, with nice acid integration and impressive overall freshness, though a bit short in the finish. 88

Mar de Frades 2005: Corked.

Adegas Tollodouro 'La Mirada al Sur' 2005: Weighty, with some appealing oxidative aromas and flavors that work nicely with notes of flowers and honey. Despite a bit of oxidation, this still shows an overall impression of freshness. 90

Bouza do Rei 2005: Pear and ripe apple notes with a floral topnote and very energetic acidity; light and lithe and very fresh, this actually seems still to be uncoiling. 91

Pazo de San Mauro 'Sanamaro' 2005: Seems fully evolved, with color of straw with light gold highlights; slightly oxidized but still quite fresh. Especially complex aromatically, with notes of flowers, honey and anise seed. Rich, but balanced by especially energetic acidity. 92

Lusco 'Pazo Piñeiro' 2005: Smokey oak aroma is distracting and overly obtrusive, and wood spice dries the finish. The core fruit is still young, and there's lots of fresh acidity, but the oak seems clearly overdone. 87

Granbazán 'Ámbar' 2005: Very impressive, with aromas and flavors that are remarkably expressive aromas and flavors that seem near their developmental apogee; vivid flavors or tart apples with a lime edge and light mineral accents. Delicate, but surprisingly persistent in its finish. 92

Adegas Galegas 'Veigadares' 2005: Golden color is presumably traceable to 6 months of ageing in French and American oak, with notable oxidation that is right on the edge of excessive but not over the line. Hints of caramel and spices as well as a bit of bitterness in the finish make this quite interesting. 88

Adega dos Eidos 'Contraaparede' 2004: This spent 44 months in tank on its lees, and after a hint of sulfur blows off, it shows remarkable crisp freshness. The floral aromas are quite prominent, and medium body is thoroughly enlivened by zesty acidity. 92

Adega da Serra 'Val do Castello' 2004: Vivid and incredibly fresh, yet rounded and very deep in flavor. It starts with aromas of flowers, honey and verbena, and then shows flavor notes of ripe apples and white melon, along with a little lime acidity on the fringes. Very penetrating and long. 93

Adegas d'Altamira 'Selección' 2004: Still very young looking with quite pale color. Delicate notes of lavender, hone and white melon are very pleasant and fresh. 89

Martin Codax 'Gallaecia' Vendemia Tardia 2004: A late harvested wine with a notably golden hue and expressive notes of honey, tea and baked apples and are lifted and enlivened by lots of fresh acidity. 91

Bodegas del Palacio de Fefiñanes 'III Año' 2002: Quite rich and satisfying, but lacking in lift and losing its edge and now seeming top-heavy. 84


* * *

This tasting proved--at least to my satisfaction--that Albariño doesn't just fade over time, but can develop interesting nuances and a more complex character as it ages.

I don't want to make too much of this, but neither do I want to make less of this factor than its importance warrants. On one hand, a white grape variety like Sauvignon Blanc can certainly be considered great even if the wines that it produces are usually only enjoyable when quite young. But on the other hand, it is an important advantage if a grape can make wines that are enjoyable in their youth but also delicious in a different way after ageing. Chardonnay and Riesling have this capacity, and I think it belongs among the most important considerations when explaining their lofty stature.

Albariño's ability to develop over time provides us with yet another reason to watch closely as vintners in Rias Baixas and the wider world strive to attain its full potential. Within the winemaking community in Galicia, there is a widespread willingness to acknowledge that Albariño is not yet as good as it can be, as some basic questions about how best to train the vines and vinify the fruit remain a long way from being answered definitively. And though Galicia may ultimately turn out to be the world's best place to grow this grape, that won't be known until other places have discovered what they can achieve with it. At least a dozen regions have gotten a start, and some early results are very encouraging.

We have a lot to learn about how and where Albariño will gain its optimal expression, but it is already clear to me that it can still get much better than it is now. And given how good it is already, that is pretty damned exciting.

Origin information: Wine Review Online

lunes, 4 de enero de 2010

Raíces valencianas del albariño


02.01.10 - 02:44 - VICENTE LLADRÓ VALENCIA.

Bodegueros de Pontevedra añoran la labor de Jesús Requena, que sentó las bases del mejor blanco del mundo .

Paisaje y paisanaje. Una bodega de Siete Aguas guarda las esencias del famoso vino

Cuando Jesús Requena poda sus modestas viñas de Siete Aguas, casi que no tiene que preocuparse por deshacerse de los sarmientos que elimina. Ni los ha de triturar, ni quemar, ni nada de nada. Prácticamente se los quitan de las manos. Cuando va a cortar, los viveristas están atentos para recoger enseguida esas varas que en cualquier otro campo no sirven para nada y hasta son una molestia a la hora de eliminarlas. Pero las de Jesús son otra cosa. Son sarmientos de clones seleccionados de uvas de las variedades Albariña o Mencía, cada vez más apreciadas, sobre todo en tierras de Galicia y El Bierzo, y los viveristas valencianos lo saben. Porque en algunos pueblos de Valencia, como Aielo de Malferit o Chiva, se concentra la mayor parte de la producción de plantas de vid de España, y desde aquí se venden al resto del país.
El vino albariño se asocia indiscutiblemente a Galicia, a las Rías Baixas pontevedresas, porque, aunque hay algo de producción en otros sitios, es allí donde más abunda, hasta el punto de que muchas veces se confunde la denominación de origen (DO) con la variedad de uva y el tipo de vino. La DO es Rías Baixas, y la variedad más afamada de esta es la uva Albariña (también hay algo de Caíño, Loureira, Treixadura...), la que da el vino albariño; para muchos, el mejor vino blanco del mundo.
Pero pocos conocen que esta uva Albariña era, hasta hace pocas décadas, una variedad poco apreciada, porque no daba buenos resultados, y que fue un enólogo valenciano, Jesús Requena, quien sentó las bases técnicas de lo que hoy es una grandísima fuente de riqueza para miles de viticultores gallegos y unas cuantas decenas de bodegas.
Profesor del PPO
Esta es la historia del 'padre' del más afamado vino blanco, desde su humilde bodega artesanal de Siete Aguas, donde guarda las esencias de lo que debe ser el buen albariño y lamenta que el enorme 'boom' comercial que ha vivido este producto haya impulsado prácticas enológicas poco ortodoxas que desvirtúan lo que debe ser. Por ello, Jesús advierte que «el dinero no lo es todo en la vida», y que «el afán por ganarlo a toda costa acaba dando malos resultados; el dinero estropea a mucha gente».
Jesús era profesor, en la rama agraria, del antiguo Patronato de Promoción Obrera (PPO), lo que luego fue el INEM, ahora rebautizado como Servicio Público de Empleo Estatal, SPEE, o el SERVEF a nivel valenciano).
A finales de los años sesenta, Jesús Requena fue destinado a la demarcación de Pontevedra. Allí le encargaron que impartiera por los pueblos cursillos de formación agraria, para elevar el nivel de conocimientos de agricultores y ganaderos y, con ello, contribuir a mejorar los rendimientos de sus actividades profesionales y empresariales y, en general, empujar hacia arriba las condiciones de vida de las familias y las aldeas del medio rural pontevedrés.
Como Jesús tenía formación de enólogo, e incluso había ejercido o como tal en Valencia, sin querer destacaba su fijación por los vinos de la zona, en general vinos blancos y pobres, muy ácidos, del estilo del 'vino turbio', apropiado para beberlo enseguida, nada más elaborarlo, bien fresquito y para acompañar a mariscos locales, pero lejos de cualquier ensoñación por embotellarlo y exportarlo.
A nadie se le podía ocurrir por entonces pensar que pudiera llegar algún día el 'boom' que hoy tiene vive el albariño en las comarcas del Salnés, Rosal, Condado de Tea, Soutomaior y Ulla.
Jesús Requena probaba vinos y siempre que caía en sus manos un albariño le decían que «ferve (hierve) todas las lunas». Alguna que otra vez era mejor que otras, pero en general no parecía que aquello fuera a tener mucho futuro.
Monasterio de Armenteira
Un buen día, con ocasión de ser invitado a comer en el monasterio de Armenteira (la leyenda dice que esta variedad fue importada en el siglo XII por monjes ciestercienses que llegaron a este cenobio procedentes de tierras del Rhin), bebió un vino blanco exquisito. Y aún se quedó más sorprendido cuando, al preguntar de que uva era, le respondieron que era albariño. Pero ¿cómo era posible aquel milagro? El monje encargado de la pequeña bodega del monasterio le explicó como pudo lo que el hacía para evitar que su vino albariño se estropeara como a otros, y el enólogo Requena dedujo que el secreto estaba en controlar la segunda fermentación, la maloláctica.
Luego siguieron años de pruebas, hasta que Jesús fue confirmando que aquellas uvas desacreditadas eran apropiadísimas para hacer un vino excelente. Sólo que había que tener mucho cuidado en la elaboración. Y así comenzó a explicárselo a sus alumnos-agricultores.
Según Requena, «el vino albariño tiene unas condiciones extraordinarias, como no es fácil encontrar; para empezar dispone de 10 grados de acidez, como ningún otro, pero hay que controlarla».
Cuando se estruja la uva, el mosto empieza a fermentar enseguida. «Primero tiene lugar la fermentación alcohólica: los azúcares se van transformando en etanol, y a continuación, el ácido málico se transforma en láctico», explica Jesús. En las condiciones climatológicas gallegas, la mayor parte de la acidez del albariño es de ácido málico, por lo que «si te descuidas en el proceso, el vino se queda sin acidez, por eso no vale». Esto mismo «no ocurre en las condiciones que imperan en tierras valencianas, porque de los 10 gramos de ácidos por litro, al málico le corresponden aproximadamente la mitad, el resto son de ácido cítrico, tartárico y otros, de manera que aquí no hace falta preocuparse tanto por el proceso y se mantiene un equilibrio natural».
Contra corriente
El caso es que Jesús Requena acabó por definir cómo había que elaborar bien el albariño, porque vio que «era algo buenísimo, el no va más, lo nunca visto», y por tanto existían grandes posibilidades por explotar. Así que empezó a divulgar entre sus alumnos-agricultores qué debían hacer, empezando por recomendarles que arrancaran sus viñedos y parrales de las umbrías y campiñas húmedas, que eran más apropiadas para el maíz y las hortalizas, y los plantaran en las tierras altas de las solanas. Una revolución que algunos no acababan de entender, empezando por algunos de sus jefes, que le amonestaban por querer ir contra corriente y meterse en aventuras y le instaban a ceñirse a los programas preestablecidos.
Afortunadamente, algunos empezaron a seguir sus consejos. Jesús seleccionó entre los parrales de viejos iglesiarios (huertos de las parroquias ) el mejor material vegetal que encontró, para reproducirlo y poner las nuevas viñas. Un grupo de alumnos formó una cooperativa, y les fue tan bien en lo económico que se deshizo, porque cada uno de ellos prefirió seguir la trayectoria empresarial por su cuenta. Eran finales de los años setenta y primeros de los ochenta y empezaba el 'boom' del albariño moderno, que no ha parado de crecer.
Pensando en cuando le llegara la jubilación, Jesús Requena decidió plantar una viña propia de albariño en su tierra, Siete Aguas. Y en ello sigue. Regresó de Pontevedra a primeros de los noventa y construyó una pequeña bodega muy cerca del pueblo. El sigue haciéndolo casi todo, a los 81 años. Cultiva las vides, donde también puso Mencía (la uva tinta gallega y del Bierzo por excelencia) y otras variedades como experimentación, y elabora a su gusto, siguiendo los cánones que definió. Luego embotella y coloca las etiquetas manualmente. Es decir, que estamos ante una bodega artesanal por excelencia, y además, ecológica, puesto que no emplea sustancias químicas de síntesis en ningún proceso. Todo natural. Por eso critica que algunas bodegas gallegas estén haciendo albariño de manera demasiado industrial, y que se hayan puesto viñas «donde no toca, volviendo a umbrías y fondos de valle».
Levaduras y microclimas
De tierras gallegas siguen reclamando su atención. Le llaman, le consultan, le requieren que vaya a dar cursos y conferencias, a darle homenajes. Pero Jesús, pura modestia, dice que le gustan esas cosas y que «ya está bien con la plaquita que me dio Fraga hace unos años». Le gusta y emociona que se acuerden de el, pero prefiere seguir en su pequeña bodega, con su familia y los amigos de siempre. Si le preguntan, responde, y hasta se enfada, «porque ahora hay bodegas que, en vez de controlar la fermentación maloláctica, la neutralizan con carbonato potásico, y eso no es, pervierten el mejor vino blanco del mundo, y al final lo pagarán caro».
Los más puristas y responsables prefieren seguir las pautas de Requena, y el mercado les diferencia y reconoce. Como buscan también los sarmientos de su campo, cuando poda, porque es material muy valioso, de clones seleccionados por el maestro, que reproduce también las levaduras autóctonas y ahora anda estudiando la influencia de los microclimas locales en las respuestas de los vinos.

Origen información: Las Provincias

miércoles, 4 de noviembre de 2009

Luscious wine from Spanish grapes

Luscious wine from Spanish grapes

October 29, 1:52 PMNapa Valley Wine ExaminerLaird Durham

There are several hundred varieties of wine grapes grown in the U.S., brought over from France, Spain, Italy, Germany – even Switzerland, Bulgaria, and Greece. But until very recently wine growers planted, and vintners produced, wine only from the well known varietals. They seldom risked producing wine from grapes most have never heard of.
That began to change in this century. U.S. consumers not only are drinking more wine, they are trying new varietals, and, by golly, they like them.
Considering California’s history as a Spanish territory, it seems downright peculiar that the two major Spanish varietals, Tempranillo, a red, and Albarino, a white, responsible for Spain’s most revered and most popular wines, did not catch on early. Well, better late than never. More and more vintners now are planting those two Spanish grapes, and the wines made from them are finding enthusiastic fans. Both wines marry well with spicy Spanish dishes such as paella and the wide varieties of tapas.
Tempranillo
The production leader of the two Spanish grapes in the U.S. and in Spain is Tempranillo, the grape that produces Spain’s premier Rioja wines. (Photo left by Col.Hou) The wine is dark red, fruity, and has minimal tannin. Most bottling do not require aerating, making it easy and delicious to drink young. More than 40 wineries in California, Texas, Arizona, Oregon, and Washington are producing Tempranillo wine. Most of the 40 are in California. Among the leaders is Artesa Vineyards in Napa Valley’s Carneros region. Artesa is owned by a Spanish wine family, Cordoniu, that dates back to the 14th century. Other leading producers are Viader, Goosecross Cellars, and Parador Cellars.
There is a Tempranillo fan club, called TAPAS, which stands both for the Spanish small-plate tasty dishes and Tempranillo Advocates Producers and Amigos Society. The TAPAS web site lists many of the wineries with links to their web sites. TAPAS is headquartered in Phoenix, and holds annual tastings in major cities. TAPAS also promotes Albarino wines.
List prices range from $16 to $30.
Albarino
Albarino grapes produce Spain’s most popular white wine. The grapes are grown primarily in the Rias Baixos region on Spain’s Northwest Coast. They have been planted only in the past 20 years in the New World. The Albarino pioneer vintner in California is the Verdad Winery in the Santa Inez Valley, Northeast of Santa Barbara. Other producers today, in California, include Artesa, Cambiata Winery, and Tangent Winery. It is produced in Oregon by Abacela Winery.
Albarino is a clean, refreshing wine, with flintiness similar to Chablis, and with a lasting finish. It has been called a cross between a sauvignon blanc and a dry Riesling, and to a Gewurztraminer. Tasting notes list flavors of citrus, pineapple, and lemon meringue pie. Albarino has a characteristic aroma of orange blossoms.
List prices are about the same as for Tempranillo.
Because of the growing popularity of Albarino and Tempranillo wine, releases often sell out quickly. Consider joining a wine club at one of the producing wineries to be sure to get in early on the releases. Some, such as Artesa, have included Tempranillo in wine club selections.

Origin information: Examiner.com

sábado, 31 de octubre de 2009

Aclaraciones sobre la confusión entre albariño y savagnin blanc

TRAS LA POLÉMICA AUSTRALIANA
Aclaraciones sobre la confusión entre albariño y savagnin blanc
Racimo y pámpana de albariño. La confusión creada en Australia por las plantaciones de supuesto albariño que han resultado ser de traminer/savagnin blanc ha suscitado en aquel país una gran polémica, que incluye todo tipo de preguntas sobre el origen de estas plantas erróneamente identificadas. Dos de los principales investigadores españoles de la genética de las vides han estudiado el asunto y han confiado a elmundovino la primera publicación de las conclusiones, de gran interés científico, de ese trabajo que ilustra un fenómeno, el de la confusión varietal, que hemos conocido también con el 'merlot' chileno que resultó ser carmenère, lo mismo que le sucedió al 'cabernet franc' del norte de Italia.
MARÍA DEL CARMEN MARTÍNEZ FÉLIX CABELLO SÁENZ DE SANTAMARÍA El albariño es una variedad cultivada desde la antigüedad en la provincia de Pontevedra (Galicia) y norte de Portugal. Casares (1843) fue el primero en describir algunas de sus características, aunque de forma tan breve y escueta que no permitía distinguir esta variedad de otras blancas de la zona. En 1987 Martínez y Mantilla (CSIC) iniciaron un amplio y profundo estudio que comenzó con la localización y descripción ampelográfica de antiguas plantas centenarias (200-300 años) de esta variedad. A finales de los años 80, en la revisión de datos sobre la variedad, el equipo del CSIC de Galicia consulta un artículo de Truel (1983) en la revista 'Le Progrès Agricole et Viticole', en el que dicho autor realizaba un estudio sobre sinonimias de las variedades portuguesas, basándose en material vegetal de la colección de Vassal (Francia). En una de sus conclusiones se decía que lo que se conservaba como albariño de España era en realidad savagnin blanc y que era distinto al alvarinho portugués. También apuntaba dicho autor la posibilidad de que se tratase de un error del Centro Ampelográfico de Madrid (la actual Colección de Variedades de Vid de El Encín) y señalaba la necesidad de comparar esa muestra con el albariño que se cultivaba realmente en los viñedos. Esto se corroboró en una visita realizada por Martínez a la colección de Vassal en junio de 1990, donde comprobó que la muestra que allí se conservaba como albariño, era claramente distinta al albariño que ella llevaba varios años estudiando en los viñedos gallegos. Posteriormente, Martínez informó del error a la colección de El Encín, donde se estudiaron las muestras de albariño que allí se conservaban, concluyendo que dos muestras procedentes de Pontevedra eran iguales al albariño cultivado en Galicia y que una procedente de Orense (enviado a la colección de El Encín en 1951) era savagnin blanc. A partir de ese momento (1991), se suspendió cualquier envío del material vegetal erróneo y siempre que se solicitaban muestras de albariño, se entregaban de las plantas procedentes de Pontevedra. En 1994, en un trabajo publicado por Martínez en la revista española 'Viticultura y Enología Profesional', ya se aportaba información muy clara y precisa sobre el error y la confusión existente entre el auténtico albariño y el savagnin Blanc. Un nuevo trabajo publicado en 1998, en la revista 'Journal of the American Society for Horticultural Sciences', y en el que figuraban como autores Martínez y Boursiquot, entre otros, se vuelve a dar cuenta de este error, aportando por primera vez datos de ADN. En 2007, y debido a que el error continuaba repitiéndose en algunas publicaciones y referencias de autores extranjeros (Imazio y colaboradores en el 2002, en la revista 'Plant Breeding'; o Bourke en 2004 en la revista 'The Australian & New Zealand Grapegrower & Winemaker'), Martínez y su equipo de investigación del CSIC, publican un tercer artículo en la revista 'Spanish Journal of Agricultural Research', en el que aportan gran cantidad de datos ampelográficos, moleculares, etcétera, con el objetivo de aclarar definitivamente que albariño es una variedad distinta de savagnin blanc, y que la confusión se debe a un error puntual. Antes de conocer la existencia de dicho error, el 29 de febrero de 1968, se había enviado, con fines científicos y de investigación , la muestra del "albariño erróneo" a la Colección de Vassal (Francia) y en 1986 se habían enviado también estaquillas de esa planta a la colección del Rancho de la Merced (Jerez de la Frontera). Posteriormente, en 1994, según se puede comprobar en la base de datos de la colección de San Michele All'Adige (Italia), se incorpora una muestra de albariño erróneo procedente de España. Los autores desconocen cómo pudo llegar el albariño erróneo a Italia. Con respecto a Australia y su albariño erróneo, los autores de este artículo desconocen también en que fecha llegó allí y la procedencia de la muestra, pero es seguro que no fue desde la Colección de Vides de El Encín. Según la información de que disponen, tampoco se envió desde la colección del Rancho de la Merced. Ninguna de estas dos colecciones españolas ha cedido material de albariño a Australia de forma directa. Lo que parece quedar claro es que una muestra de uso científico y de investigación, ha pasado a la red comercial y productiva de forma incorrecta, ya que para entrar en el circuito comercial debería llevar una certificación emitida por el Estado Español, lo que hubiese evitado esta situación. ¿Cuál es el origen del error? Tal y como queda explicado en los párrafos anteriores, el error estaba en la planta enviada a la colección de El Encín desde Galicia en 1951 (procedente de Orense). Para entender como pudo producirse, es necesario tener en cuenta que en aquella época no había en la región gallega científicos expertos en ampelografía que pudiesen estudiar y recoger estas variedades con conocimiento y garantías. El material vegetal que llegaba a la colección de El Encín, procedente de Galicia, y de algunas otras zonas, era enviado por personas no expertas, que a su vez se lo pedían a los viticultores de su entorno, sin garantía de autenticidad varietal. Se mandaba lo que un agricultor de un municipio en particular cultivaba bajo un nombre concreto. En la Galicia de los años 50 (siglo XX) el aislamiento geográfico era importante y las vías de comunicación entre las distintas zonas vitícolas gallegas eran difíciles. Las variedades de vid cultivadas mayoritariamente en la costa (Pontevedra), eran distintas de las cultivadas mayoritariamente en las zonas de interior (Orense), con climas totalmente diferentes, sistemas de conducción y poda distintos, etcétera. En aquella época era frecuente por ejemplo que los viticultores de la zona de El Salnés o El Rosal (Pontevedra) no conociesen las variedades cultivadas en El Ribeiro (Orense) o en Ribeira Sacra (Lugo). El error se produjo a partir de una sola planta, enviada desde Orense, donde el albariño no era la variedad blanca cultivada mayoritariamente, ya que ese puesto lo ocupaban variedades de cultivo tradicional en la zona como treixadura, torrontés o godello, además de otras que llegaron después de la filoxera (finales del siglo XIX, principios del XX), como el palomino (procedente de Andalucía), alicante Henri Bouschet (procedente de Francia), etcétera. A todas estas circunstancias hay que sumar el hecho de que en la primera mitad del siglo XX existían en Orense varios viveros que se encargaban de traer, fundamentalmente de Francia y también de otras zonas de España, "nuevas" variedades de vid, con el objetivo de luchar contra la llegada, primero de oidio, después de la filoxera y a continuación del mildiu. Era habitual por ejemplo, traer variedades de otras zonas, y cambiarles su nombre original por uno local, o aplicarles, como si de una sinonimia se tratase, el de otra variedad de la zona que presentaba características parecidas, creando así "nuevas sinonimias". Esto dio lugar a no pocas confusiones, e incluso a la atribución de falsas sinonimias, que todavía hoy siguen apareciendo de vez en cuando. Es necesario señalar, además, que en 1951 el albariño no había alcanzado, ni mucho menos, la fama que tiene hoy día. Fuera de Galicia era poco o nada conocido, y de hecho la aprobación de la Denominación de Origen Rías Baixas, no llegaría hasta 37 años más tarde (BOE 02/08/1988). A partir de este momento el crecimiento de la superficie vitícola, plantada de albariño, en dicha Denominación de Origen, fue vertiginoso (de las 237 ha en el año 1987, se pasó a 3646 en el año 2008, datos obtenidos en www.doriasbaixas.com). A medida que la superficie aumentaba, lo hacía también el interés por esa variedad, desconocida para muchos, y se multiplicaban las especulaciones sobre sus orígenes, procedencia, sinonimias, etcétera, en muchos casos carentes por completo de fundamento. Tal y como se ha apuntado en algunas de las publicaciones aparecidas en los últimos meses con relación al albariño erróneo de Australia, no es esta la primera vez que se produce un problema de este tipo al llevar variedades del viejo al nuevo mundo vitícola. En la memoria de todos nosotros está el caso del merlot y carmenère en Chile. Para terminar, los autores de este artículo deseamos dejar claro, que tanto los resultados científicos como la información recopilada en la bibliografía antigua, archivos, etcétera, nos permiten hacer las siguientes afirmaciones: - Que el error se produjo con una sola planta, y que en Galicia no se cultiva, ni se ha cultivado nunca savagnin blanc, y menos en la zona de cultivo tradicional del albariño. - Que actualmente en Galicia todos los viticultores conocen el albariño y nadie conoce el savagnin blanc. No se trata de una homonimia ni sinonimia, sino de un error puntual con una sola planta. - Que la diferencia entre albariño y savagnin blanc a nivel ampelográfico o botánico y a nivel molecular (análisis de microsatélites), es tan clara que de ninguna manera se puede decir que el albariño sea una mutación del traminer, gewürztraminer, savagnin blanc, ni de ninguna otra conocida. - Que en Galicia existen todavía plantas de albariño centenarias (200 o 300 años), que demuestran su existencia en esta zona desde hace siglos. María del Carmen Martínez es investigadora de la Misión Biológica de Galicia (CSIC). (Apartado de correos 28, 36080 Pontevedra. Tel +34986854800; Fax: +34986841362; e-mail: carmenmartinez@mbg.cesga.es). Félix Cabello es director de Departamento de Investigación Agroalimentaria del Instituto Madrileño de Investigación y Desarrollo Rural, Agrario y Alimentario (IMIDRA) de la Comunidad de Madrid (Apdo. 127, 28800 Alcalá de Henares (Madrid) Tel +34918879400; e-mail: felix.cabello@madrid.org). -
Fecha de publicación: 28.10.2009

Origen información: El Mundo

miércoles, 15 de abril de 2009

Grape Identity Crisis in Australia

Grape Identity Crisis in Australia

Wine producers learn their Albariño might be Savagnin; others ask what the difference is
Tyson Stelzer
Posted: Tuesday, April 14, 2009
Australian growers are shocked over an announcement this week that the majority of the country's plantings of the Spanish grape variety Albariño are actually the French variety Savagnin. The mix-up was revealed by DNA profiling conducted by Australia's Commonwealth Scientific and Industrial Research Organization (CSIRO), the body responsible for importing and distributing vine plant material into Australia.
The authenticity of the vines was first called into question last year following a visit by a French ampelographer, or grape-identification expert, Jean-Michel Boursiquot, who suspected that Albariño vines he looked at near Barossa appeared to be Savagnin, an obscure variety cultivated almost exclusively in the Jura in eastern France, where it produces the Sherry-like vin jaune.
The CSIRO subsequently compared DNA samples from both varieties in Spain with vines from its own collection believed to be Albariño and found a match with Savagnin. The study concluded that wines produced from vines sourced from this collection cannot be labeled as Albariño.
The announcement this week has commercial implications for the estimated dozen wines made from the variety in Australia. Those sourced from the CSIRO material will be required to be tested, repackaged and relabeled.
"There will be repercussions for us financially," said Barossa Valley winemaker Damien Tscharke of Tscharke wines, the country's first and largest commercial producer of the variety, who has significant volumes labeled and ready for release, including a major shipment destined for the U.S.
Tscharke's vines were sourced from the CSIRO in 2001, as were those of McLaren Vale producer Chapel Hill. "We've had it sitting in tanks awaiting the announcement, scratching our heads and wondering what we're going to do with it," said Chapel Hill winemaker Michael Fragos. "We'll just have to label it for what it is, market it as a new variety and see how it goes."
Most other producers say they will take a similar approach and continue to produce the variety, which has recently risen to popularity in the Australian market. The Aussie Savignin vines' ability to tolerate drought and heat makes it one of the most sustainable emerging varieties for the Australian climate, and this has encouraged further planting.
Tscharke quoted one unnamed grower who planted it for the first time this year as saying, "I really don't [care] if it's Albariño or Savagnin—whatever it is, it's performing really well, consumers love it, so we're going to stick with it."
Others are more concerned about its name and the effect on sales. Andrew Pirie, chief executive at Tamar Ridge in Tasmania, will continue to produce the variety, but says he worries about the impact of the new name on sales. Tscharke agreed. "It has come as a shock to me, and to other producers of this popular variety, that Albariño has been commercially released in Australia by the CSIRO possibly not true to type," he said. "It puts a lot of doubt in consumers' and retailers' minds about the variety." Tscharke has decided to undertake his own investigations into its identity, which he says is not as black-and-white as it may seem.
"The CSIRO has conducted objective testing, so we can't dismiss it," he said, "but when I look at the vine and at the wine everything suggests that it is Albariño." He points to the characteristics used to identify Albariño in Spain as consistent with his Barossa Valley vines: "Albariño clusters are conical and have wings whereas Savagnin clusters are cylindrical; Albariño has two clusters per fruiting branch while Savagnin only has one; and Albariño contains two seeds per berry, whereas Savagnin has one," he said.
The situation is further complicated by the tendency of vines to mutate and adapt to their environment. Peter Lehmann Wines viticulturist Nigel Blieshke has found that some of his Albariño grapes have two seeds and some have one, and his vines were not sourced from the CSIRO, and hence not likely to be subject to the identity controversy.
Both Albariño and Savagnin are genetic mutations of the Traminer variety, part of a family surrounded by well-documented identity confusion in many parts of the world, including Spain. It's been suggested that the notorious genetic instability of this group—cousins of Gewürztraminer, which can be known as Savignin Rosé, and distant relatives of Pinot Noir—means that it would be better regarded as a family of related clones rather than distinct varieties.
This may be a subtle distinction, but it could have worldwide commercial implications for what a wine is permitted to be named and how it may be labeled. At a time when DNA testing is becoming commonplace, such distinctions are likely to become increasingly significant.
While the CSIRO testing found differences between the DNA profiles of Albariño and Savagnin samples obtained from Spain, a 2002 Italian study found the two varieties to be genetically identical, supporting the idea that Albariño may have originally come to Spain and Portugal as Savagnin cuttings from eastern France.
"There has been some question as to whether some Albariño vines in Spain are Savagnin," Fragos said.
"You have to go back to the original source," said Eden Valley grower Jim Irvine of Irvine Wines, "and if the Spanish can't tell the difference, how the hell can we?!"
The original identification of the cuttings would have been made in Spain, not in Australia. There has been suggestion that the source of the vine material in Spain may need to be audited, which opens up all manner of potential complications.
Viticultural consultant Richard Smart said the fight raises concerns over which Australian body has the responsibility for administering correct varietal identification. "It has not been possible for more than 10 years to find out which varieties have been imported into Australia, and there is no national germplasm collection to act as reference," he said. "Is this an appropriate situation for a wine sector in which alternative varieties might help restore a competitive edge?"
Tscharke will call a meeting this week with South Australian and Victorian producers of the variety. "I'm going to try to take the lead on this and get support from other producers to embark on our own testing and determine the truth of the DNA of this cultivar," he said. "I'm certainly not going to walk away from this variety. What we've grown this vintage is what I have always dreamed of some day producing. I just want to bottle it and get it out there, but first I need to find out what to label it."

Origin information: Wine Spectator

lunes, 24 de noviembre de 2008

Albariño, The Other White Grape


Albariño, The Other White Grape

If I asked you what the world’s most popular white variety is, how would you respond? You guessed, it, Chardonnay – unless, of course you live in Spain, where Albariño ranks as the signature white that captures everyone’s heart.

Albar-what? Albariño! Pronounced "Al-ba-ree-nyo", meaning "the white from Rhine", is as popular to Spain as Chardonnay is to North America. Grown in the D.O. appellation Rías Baixas (ree-ahs-buy-shuss), Albariño is considered a benchmark producing captivating wines with rich, tart, distinctive aromas and flavors.
What I love about Albariño is its innate ability to mimic so many varietals, yet it distinctively stands out as a wine with unrivaled character and finesse. Emulating its stature would call for a dash of grassiness from Sauvignon
blanc, a hint of almond flavors found in Pinot blanc, a handful of mineral flavors from Riesling, a pinch of apple and peach from Chardonnay - then envelop all this goodness with the sweet smells of apricots and orange blossoms found in Viognier.
Albariño really is a unique grape!
I recently tasted a number of delicious Albariño’s from the Rias Baixas region. My favorite among the flight was the 2007 Adegas Morgadio Albarino Rias Baixas, which has wonderfully aromatic aromas with scents of apple and citrus. The style piled up zesty flavors of lime, green tea and melon finishing with a long, rich, clean, zesty punch. Another great find is the 2007 Viña Nora Albarino Rias Baixas, which has nice acidity and flavors bursting with complex honeydew and orchard fruit. Retailing at $14 a bottle, it’s a great wine for the price.
Now Spain isn’t the only area where Albariño is grown. Portugal also produces it under a different name, a.k.a. "Alvarinho" which typically makes a lighter, sometimes fizzy style wine compared to its rival Rías Baixas region.
As for new world territories, Albariño is beginning to spread its wings. According to the Trade Commission of Spain, the first plantings in the United States were in Virginia. In Califronia, Qupé Wine Cellars (1) planted the first block of Albariño in the Santa Ynez Valley in the mid-1990s. Since then, a number of other California appellations started planting Albariño, including Edna Valley, Carneros, Clarksburg, the Central Coast, Monterey, Napa, Orange County, Paso Robles, Sierra Foothills, and even the Lodi region. Did you say Lodi? Unbelievable at it may seem the Albariño grape is growing in a region where Zinfandel is the reigning king. As the growing number of consumer interest in Albariño increased, other states such as Oregon and Maryland followed suit.
Heading to our Southern Hemisphere, Australia began importing the grape about six years ago, which now supports roughly two dozen producers. Some of the more well-known wineries include Chrismont and Sam Miranda from King Valley, First Drop and Tscharke from Barossa Valley, Gemtree Vineyards from McLaren Vale, and Irvine from Eden Valley.
Like the U.S., there is enormous potential for Albariño growth in Australia, which has yet to be explored, and with wine consumers willing to try new grape varieties, there is no doubt that production yields will increase as consumers recognize the uniqueness of what this grape has to offer.

Reinforcing this direction is the announcement of Kirrihill Wines prospecting and evaluating the ability to produce this varietal in Australia’s Adelaide Hills.
"We are working with our growers, Paul and Michele Edwards, to plant Albariño in the Adelaide Hills. They are already growing high quality Pinot Grigio and Sauvignon Blanc in their Mount Torrens vineyard and we believe Albariño would be a natural fit," says Matthew McCulloch of Kirrihill wines.
In Spain, Albariño is grown almost exclusively in the cool and wet environs of the Rías Baixas region in Galicia, a Mediterranean climate where Albariño grows in its granite and chalk soils positioned steps away from the Atlantic Ocean.
Although the Adelaide Hills in Australia is not as wet as the Rías Baixas region, there is less fungal disease pressure, which is a definite advantage for Australian grape growers. In similarity, both Rías Baixas and the Adelaide Hills regions have Mediterranean climates and soil compositions that support the growth of Albariño. "Both regions enjoy a maritime climate with the nearby oceans, Southern and Atlantic, exerting a significant influence. Soils in the Adelaide Hills are varied with weathered schists, skeletal quartzites, sandstones and podsols of varying fertility whilst granite-based soils make up the Rías Baixas, so we are identifying areas within the vineyard where quartzites predominate which is the nearest to a granite-based soil we have," says McCulloch.
Now I’ve been dying to try one of these Aussie Albariños but I haven’t had much luck tracking one down in Oregon. Most of what I’ve heard, the Australian style is quite different from the Spanish rendition. They still have the floral and fragrant aspects, but they tend to play down the minerality aspect and lean towards more complexity and higher alcohol concentrations with delicious flavors of honeysuckle, lemon, and fresh cut pear. Hopefully I’ll track down one of these fine wines and report back on some tasting notes and locations on where you can find them in the U.S.
So what are some of your favorite Albariños you’ve tried recently?
(1) The first California Albariño bottling actually came from Havens Wine Cellars in 1999.

Origin information: Enobytes.com

martes, 20 de mayo de 2008

Surge blanco

Surge blanco

If you think Spain is just red and Rioja, you must be colour blind, says Tim Atkin - its best whites taste like Grand Cru Burgundy Sunday
Constellation, the world's biggest wine company, has just published the results of extensive consumer research. The main aim of Wine Nation was to find out what punters buy, and why they buy it, but the project also set out to assess their levels of knowledge by asking 13 basic questions. To pick one at random: Is Chablis a) a red grape, b) a white grape variety, c) a wine-producing region, d) none of these, or e) don't know. As I said, not exactly Mastermind

The results were interesting, or possibly alarming if you are a wine producer, revealing deep lacunae of ignorance. Only 21 per cent of the 1,000-plus interviewees knew that Chablis is a wine region. I don't want to set too much store by these findings - the last time I read something similar 10 years ago, most people thought the French footballer Laurent Blanc was a white grape - but it's clear that most punters know very little about wine. If a monkey had answered the questions by ticking the same box every time, he would have scored better than 60 per cent of the interviewees.
The answer that surprised me most concerned Rioja, Spain's most famous region and, I assumed, one of the most recognisable wine names on the planet. Less than a third of respondents knew what, let alone where, it was. If so few consumers are familiar with Rioja and its (mostly) red wines, what hope is there for Spanish whites? Leave Sherry to one side (which I find difficult to do) and I suspect that even comparatively well-informed punters are unaware of the white revolution that has taken place over the past decade. The wines are getting better and more diverse by the vintage, to the point where they are no longer overshadowed by Iberian reds.
Until comparatively recently, Spain's limited international standing as a white-wine producer was based on grapes imported from France, particularly Chardonnay and Sauvignon Blanc. There are some very good examples of both around, such as the citrus and vanilla-scented 2005 Chivite Colección 125 Chardonnay, Navarra (13.5%, £22.50, Waitrose) and the complex, toasty, grapefruity 2006 Torres Fransola, Penedés (13%, £13.99, Handford Wines, 020 7221 9614), but nowadays the talk is of native varieties.
Spain has its fair share of neutral grapes - Airén and Viura are duller than Coldplay - but it also has some indigenous gems. Three varieties stand out for me: Verdejo in Rueda, Albariño in Rías Baixas and Godello in Valdeorras. All three are located in the cooler areas of north-west Spain. My feeling is that they have supplanted more traditional white regions - La Mancha, Somontano and even Penedés, the home of Cava - and have added a new dimension to Spanish wine.
My favourite of the three is Albariño, which has become my default refreshing white. Albariño can age - try the slightly honeyed 2005 Castro Martin Family Reserve (12%, £10.45, Bibendum, 020 7449 4120) - but I prefer it when it's young. The wine that consistently excites me is the perfumed, minerally 2007 Terras Gauda O Rosal, Rías Baixas (12.5%, £12.30, Les Caves de Pyrène, 01483 554 750; www.lescaves.co.uk).
Godello is less famous than Albariño, but it's great to see a few examples finally making their way to the UK. The 2007 Viña Somoza Classico Godello (13.5%, £10, Lay & Wheeler, 0845 330 1855) is spicy and stylishly oaked with notes of pear and greengage. Even better, as well as more expensive, is the barrel-fermented 2006 Bodegas Naia, Naiades, Rueda (13.5%, £19.95, Indigo Wines, 020 7733 8391; The Vineking, 0870 850 8997), which is made entirely from 90-year-old Verdejo vines. The wine's concentration, depth of flavour and balancing acidity reminded me of a Grand Cru Burgundy - the wine is that good. Just don't ask the man or woman in the street to tell you where it's from.
Buy of the week: 2006 Châteauneuf-du-Pape Blanc, Le Fussier, Château Mont-Redon (13.5%, £14.99, Marks & Spencer)White Châteauneuf is comparatively rare, but when it's as good as this intense, spicy, herbal, Grenache Blanc-based blend it's an absolute joy.
tim.atkin@observer.co.uk

Origin information: guardian.co.uk

miércoles, 29 de agosto de 2007

Albariño, Alvarinho

Albariño, Alvarinho

As a handy tool for sorting out wine-grape varieties, I often categorize wine grapes by their aromatic level. While just about every grape has its characteristic aromas, the Spanish Albariño is one of the varieties that rank as highly aromatic. With Viognier, Gewurztraminer, Muscat and others, these are grapes that yield wines with aromas that seem to leap out of the glass and shout their name.
Albariño, and its Portuguese cousin Alvarinho, are our featured varieties in this month's Wine Focus on our WineLovers Discussion Groups. We hope you'll grab a glass and join us!
Albariño is pronounced "Ahl-bah-reen-yo" and spelled with a wiggly "tilde" over the "n" that some E-mail software may mangle. Albariño is grown primarily in the section of Galicia in northwestern Spain called Rias Baixas, meaning "Lower Rivers" in the local Gallego dialect.
This damp and rainy region produces grapes with thick skins, and this climate effect is said to foster Albariño's naturally aromatic flavors. It's no surprise that the acidic white wines from this coastal area make natural companions with seafood and fish.
Directly across the border from Galicia into Portugal, the same grape is called Alvarinho, pronounced almost the same, where it's sometimes used in Vinho Verde, a Portuguese white that may be still or slightly fizzy. Much Vinho Verde is light and intended for immediate consumption, so much so that it suffers from trans-Atlantic shipment and is best avoided until you can enjoy it during a trip to Portugal, an expedition that I highly recommend.
Vinho Verde or otherwise, though, Portuguese wines that explicitly name Alvarinho on the label are often more serious stuff, well worth the toll even after export.
Still, whether you're enjoying Albariño from Spain or Alvarinho from Portugal, drinking the youngest vintage available is a good idea; this is a wine that shows best when it's young and fresh, and there's little benefit in cellaring.

Origin: Wine Lovers Page

jueves, 16 de agosto de 2007

In northwest Spain, Albariño is the thing

In northwest Spain, Albariño is the thing



© by Dennis Schaefer
PONTEVEDRA, Spain - Standing at the promontory of a vineyard, a luscious carpet of leafy green in trellised rows stretch nearly as far as the eye can see. And on the horizon, I can make out the blue water of the ocean. The Atlantic ocean, that is, not the Pacific. Because I'm not in Santa Barbara any more, Toto, instead I'm in the very northwest corner of Spain, an area called Galicia. And this is not your father's Spain, nor even your grandfather's Spain; it's not arid or desert-like, with little of the searing heat often found inland.
This is what's called "Green" Spain. To the north and west is the cooling influence of the Atlantic ocean, to the south is the border with Portugal, and towards the east is the hot, dry interior of Spain. It's almost like a country unto itself, distinct from the rest of Spain. It was settled by seafaring, fair-skinned Celts centuries before Christ and much of their cultural influence is still felt here, manifested in things like a traditional regional instrument similar to a bagpipe, the love of the potato, charming medieval castles and emerald green hills covered in the morning mist.
The grape growing region here is called Rias Baixas (REE-us BUY-shass), named after the craggy fingers of coastal inlets (rias) that jut in from the Atlantic ocean, coupled with the those in the southern or lower (baixas) part of Galicia. In fact, this part of Spain reminds me very much of Santa Barbara; that is, if Santa Barbara got 60 inches of rain a year and had a working fishing port. But seriously, the rolling green hills looked very much like Santa Barbara wine country and the red tile roofs topping the Spanish/Moorish architecture are everywhere, just like downtown Santa Barbara.
Even more interesting to me is that Rias Baixas has three official growing regions: Val do Salnes, O Rosal and Condado do Tea, (roughly) corresponding to Santa Rita Hills, Santa Maria Valley, and Santa Ynez Valley respectively. All these regions, both in Spain and Santa Barbara, are very close to the ocean and experience its cooling influence on the vineyards, though some like Condado do Tea and Santa Ynez Valley are a little further inland and thus a bit warmer.
Unlike Santa Barbara however, 90 percent of Rias Baixas is planted to one grape variety, called Albariño (though the Spanish varietals Loureiro, Treixadura and Caino Blanco are sometimes blended in), which produces an exotic and racy white wine. How the Albariño grape came to this corner of Spain is uncertain. Some say pilgrims from Germany brought Riesling cuttings to Galicia, on their way to worship at the magnificent cathedral of Santiago de Compostela, where it is said the remains of St. James are buried. But some Spaniards say it was the other way around. Across the border in Portugal, the grape is called Alvarinho and is used in Vinho Verde. Until very recently, these were the only two areas in the world where this grape was planted.
Pergola style trellising system in the Rias Baixas. Photos by Dennis SchaeferAlbariño is a thick-skinned grape, which allows it to grow and prosper in this damp, maritime climate, though viticulturalists have developed a unique trellising system so the grapes are less susceptible to mold and rot. They train their vines on a pergola style system, the row posts hewn from ivory colored granite, which is plentiful in the area. The pergolas elevate the grape clusters, allowing more sunshine for ripening and also more air to circulate underneath the vines to wick away the excessive moisture.
Rias Baixas, the home of Albariño, is not a new growing region, but back in 1980 there were only a half dozen wineries: today there are almost two hundred and about forty whose wines are imported to the U.S. Everywhere you look in the semi-rural regions of Galicia, you will see green vines, many propagated in resident's backyards as well as larger farming entities. Many still make their own "homemade" wine, but increasingly they sell their grapes to larger wineries or cooperatives, who find their wines increasingly in demand, especially in the U.S.
If you like Viognier (or Pinot Grigio), you're going to love Albariño. It has all the perfume and raciness of a Viognier, but none of the blowsiness you sometimes find in the latter. Albariño is crisp, fresh and medium bodied with great acidity, which cries out for food; it's the perfect foil for seafood but also has the backbone to pair with chicken, pork and veal dishes. It's certainly a more refreshing alternative to over-oaked Chardonnay or neutered Sauvignon Blanc.
Albariño is best when consumed young, within two years of its vintage; prices are $10-$20. The 2005 vintage is the marketplace now, though the 2006's (also a very good vintage, with no grape rot) are beginning to arrive. With summer time looming on the horizon and grills ready to be fired up, Albariños are the perfect patio sipping wine. It's my choice for house white wine this season. Here are some delicious benchmark wines from Rias Baixas:
Valdamor Albariño 2005: Green apple shows up on the nose, with less stone fruit aromatics. It's already very soft and inviting in the mouth, perhaps less zippy than many. It has a very clean, crisp, green apple flavor that might seem monolithic, but that's not necessarily a bad thing. With good fruit intensity and bright acidity, sometimes keeping it simple with Albariño can be a very good way to go.
Condes de Albarei Albariño, Salneval 2005: Fresh forward fruit up front, all bright and lemony on the nose, with refreshing and direct simple lemon-lime and honeysuckle flavors. It goes down so easy with cleansing acidity on the back end. Again, entry level Albariños, like this, are meant to give a good smack of fruit and immediate pleasure. A satisfying drink on a hot summer's day.
Bouza do Rei Albariño, Castel de Bouza 2005: Another entry level wine that's not as exotic as the primary Albariño from Bouza do Rei, but it's hard to beat getting a taste of Albariño typicity for around $11 a bottle. It's more lemon/citrus in flavor profile, though pineapple, wild flower and honeysuckle do lurk in the background. Narrowly focused on the more simple flavors, it still has that tell tale clear cutting acidity that makes it zesty and refreshing.
Valminor Albariño 2005: Perhaps the quintessential fruit and floral style of Albariño; the aromas are of white flowers, peach, mango, orange blossom and honeysuckle, while the flavors are of the stone fruit variety, like apricot, nectarine and ripe peach. Long and lengthy on the palate with fine fruit complexity, the fine cut of acidity is perfect and invites another sip.
Finca de Arantei Albariño 2005: While there is a hint of peach and citrus flavors, this is the other end of the Albariño spectrum, that features more minerality in the complex flavor profile. It's almost steely, especially with a great spine of acidity; it has the same quality you might taste drinking from an unspoiled fresh mountain spring rushing over wet stones. Like a Grand Cru Chablis at less than half the price.
Pazo de Barrantes Winery. Photos by Dennis SchaeferPazo de Barrantes Albariño 2005: Minerally, stoney, slate nose with fine citrus also pouring through. Very user friendly lemon-lime flavors with a bit of dried apricot and honeysuckle in the mix. The fruit is so ripe and luscious, it seems almost sweet but the acidity smoothes out this moderately bodied and balanced wine. It's high toned but a very complete package.
Marques de Vizhoja Albariño, Torre de Moreira 2005: This single vineyard wine has a more restrained nose that's not as perfumed as some others. But pear, green apple, white florals and tell tale honeysuckle are revealed with swirling. On the palate, honeysuckle, pear and a hint of ginger are also restrained but gradually build up and work their way into a persistent flavor groove. Rich, creamy and mouth coating, this Albariño has great structure, great bones and a kind of minerally/acidic under current that says it may reveal more with age.
Pazo de Senorans Albariño 2005: The nose is fresh and typical, with citrus and minerals, followed by green apple, grapefruit, mango and honeysuckle flavors hung on a perfectly balanced, but medium bodied frame. It also has a great prickle of lemony acidity that cleanses the palate and invites another sip. And as it warms in the glass, a bit anise or licorice like flavor comes out, give a bitter twist to things, which is surprisingly appealing in the context. Then onto the acid charged finish. A sophisticated bottling, and my "go to" Albariño.
Martinez Serantes Albariño, Dona Rosa 2005: Very pleasant and almost pretty aromas of green apple and spice. The flavors are focused on green apple and bosc pear, along with citrus and marzipan. A tiny bit of secondary malolactic fermentation gives it some additional textural qualities and leads to impressive flavor persistence on the mid palate and finish.
Laxas Albariño 2005: A prolific nose of peach, nectarine and apricot - all the stone fruit skins - in abundance here. High toned fruit in the mouth with plenty of terpenes and some bubble gum. The stone fruits, however come through in spades and it has viscosity and mouth filling character to burn. Some tart green apple and white florals add more flavor components, while the mid palate has an almost buttery (diacetyl) feel.
Maior de Mendoza 2005: A spicy inviting nose showing pear and apple. Of the three wines Adega Coto de Xiabre makes, this is the most serious. The flavors, principally of pear and green apple as well as almond and white floral, are more refined and complex than most Albariños (partial ML and lees stirring). Plenty of stuffing contributes to the weight and length on the palate and a fine spicy component does a slow fade at the finish.
Mar de Frades Albariño 2005: Perhaps the most recognizable bottle in all of Rias Baixas: it's slender and blue as the sea, with a ship's icon on the label that appears when the bottle is properly chilled. Winner of multiple packaging awards, what's in the bottle is also a knockout. Minerals, crushed wet stones and a sea spray kind of salinity complement the green apple flavors, but other facets like as nectarine, mandarin orange, papaya and just a bit of almond marzipan on the finish make this wine intriguing.
If you've read this far, I think you get the idea. As one of my traveling companions noted: if you try one Albariño and like it, you'll probably like the next one you try too. They all have that thread of Albariño typicity running through them, but there are distinctions to be made based on vineyard site and winemaking regime. Enjoy!
Next time, in part two, reserve Albariños, the movement toward the "international" wine style, and pioneering Albariño vintners in Santa Barbara County and on the Central Coast.
May 25, 2007



Origin: Wine Lovers Page